supported by 9 fans who also own “Architecture of Existence”
Ἡ εἰκών was an impressive debut, but way too short! Luckily, Ψευδομένη arrives to satisfy the urge for more of what made its precedessor hit hard and fast: some atmospheric moments (don't be deterred as this is still brutal, dissonant and disgusting to the core) and at the same time, J.L. is exploring longer tracks - e.g. my personal favourite - and implementing some cavernous lows. If there's one thing we can all agree on, it's most likely that this man refuses to stand still. What a pace! David Fischer
supported by 9 fans who also own “Architecture of Existence”
An outstanding beast of an album! After testing the waters with Ἡ εἰκών, delivering more of that on the twice as long Ψευδομένη, J.L. seemingly decided to make Τρωθησομένη at least twice as aggressive. The atmosphere its predecessor had has been cut and replaced by riff after riff after riff. Riffs of all sorts, as should be noted: punky, pumping, sick, and grooving. It's like getting clapped by a frenzied maniac for 40 minutes straight. One of the wildest albums I've heard in a while! David Fischer
supported by 8 fans who also own “Architecture of Existence”
Nightmarish avant-garde black metal twisting the very confines and structure of the genre. Blut Aus Nord presents a staggering second album in the series that brings together their black metal origins, pioneering filthy industrial grime, and progressive / post metal wanderings all into an insane world
Dense and swirling, dissonant and complex, enshrouded in a abyssal darkness. Spun from expansive soundscapes steeped in an aura of complete blackness, offering a view into the universe of madness Lorenzo